More sketches (duos), again playing with my own? ‘intervalic bpm’ theory. This ‘system’ allows a free combination of rhythms derived from the same ratios as a C Chromatic scale.
Also in use here is the intentional margin of error introduced by ‘AI’ key identification software (made for dj’s and popular dance music) when used with more avant garde based sounds. This matches up (again duets in this case) material that is of different scales and keys by their ‘common’ tones as identified by the software for a ‘different sameness’ than what would be derived by more traditional tonal analysis, allowing the occasional rogue vertical relationship to appear in somewhat sinister moments of key ambiguity.
NEW MIXES 100909