An Index Of Possibilities

'Sometimes, cutting into the present releases the future'

Sunday, March 30, 2014

Magic Square Variations

Cassette concatenations based on serial ‘Magic Square’ principles.

 

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posted by cgibson777 at 5:34 am  

Sunday, March 30, 2014

Come To Liberace (Daddy)

Using the ratios of harmonics as rhythm and glitch rhythm as microtonal intervals. Terry Bozzio vs. W.C. (Debussy) Fields?

 

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posted by cgibson777 at 2:16 am  

Sunday, March 30, 2014

An Intoxication Within

Disruptive effect on the semicircular canals of the inner ear and chemical irritation of the cerebral mucosa…for percussion and laptop duo.

 

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posted by cgibson777 at 2:13 am  

Sunday, March 30, 2014

Spirits Of Time

Ghosts in the rhythm machine.

 

SET 1

SET 2

 

 

posted by cgibson777 at 12:29 am  

Wednesday, March 26, 2014

Magical Aural Realisms

A series based on current sound design and compositional interests, number sequences controlling sound morphing of tonal subset vectors (trio form).

 

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posted by cgibson777 at 2:32 pm  

Wednesday, March 26, 2014

Mallet Duo Metafictions

A series based on current sound design and compositional interests, number sequences controlling sound morphing of tonal subset vectors (duo form).

 

PLAYER

 

 

posted by cgibson777 at 2:31 pm  

Friday, March 14, 2014

Iris OderBuch (And Her UltraSister)

For sonically twisted, sample-constructed, datapunks…wherever you are 😉

 

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Special thanks Dieter Zobel/Bernd Keil, Simon Stockhausen (Patchpool), and Twisted Tools.

 

 

posted by cgibson777 at 6:55 pm  

Friday, March 14, 2014

Spiral Dream Agnostic

Dreaming of not dreaming dreams of dreams.

 

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posted by cgibson777 at 5:27 pm  

Wednesday, March 12, 2014

Make Ready Guitar Duos

Some initial sketches of a ‘form’ of prepared guitar (with added MIDI triggering of found sounds and various synthesis).

prepared guitar is a guitar that has had its timbre altered by placing various objects on or between the instrument’s strings, including other extended techniques. This practice is sometimes called tabletop guitar, because many prepared guitarists do not hold the instrument in the usual manner, but instead place the guitar on a table to manipulate it.

The method of actually preparing the guitar was developed in the late 1960s by Keith Rowe, in imitation of Jackson Pollock’s painting method and John Cage’s prepared piano. Rowe developed various prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body and pickups in unorthodox ways to produce sounds described as dark, brooding, compelling, expansive and alien. He has been known to employ objects such as a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar.

 

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For reference:

Keith Rowe – Prepared Guitar

http://en.wikipedia.org/wiki/Prepared_guitar

 

 

posted by cgibson777 at 7:44 pm  

Saturday, March 1, 2014

The Heart Contains, The Mind Refrains

..

 

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posted by cgibson777 at 2:37 am  

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