An Index Of Possibilities

'Sometimes, cutting into the present releases the future'

Friday, August 30, 2013

Way Of The Wires (Twisted Pairs)

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SET 1

SET 2

 

 

 

posted by cgibson777 at 11:34 pm  

Sunday, August 25, 2013

Dreams Dust In My Eye (Key-Moshing Pads)

The dust of an arcing past, it’s shedding expectations blowing across a third eye’s brow, threatening inner vision. Prismatically moody, amorphously key-bent , modal-moshing pads.

 

 

Player

 

 

posted by cgibson777 at 3:03 am  

Sunday, August 25, 2013

a relative arrangement of sound places

Land-sensitive avant garde ambient textures.

 

SET 1

SET 2

 

 

posted by cgibson777 at 2:26 am  

Saturday, August 17, 2013

sbin/fsck -fy

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Player

 

 

posted by cgibson777 at 9:04 am  

Saturday, August 17, 2013

Improv Sculpturies

Dedicated to…touch. Circuit empathies amplified onto constructed gesture grids.

 

Set 1

Set 2

Set 3

Set 4

Set 5

 

 

posted by cgibson777 at 2:19 am  

Sunday, August 11, 2013

Fourth World Naked Electronic Joujouka Lunch

Full Frontal Weird Xenocronicity

Imagine…

A Rapid-viz methodology for improv music…using a stock analysis algorithmic mindset to construct favorable trades between a set pool of series-themed electronic improvisations as pre-planned instrumental nodes. ‘Bi’ and ‘Tri’ situational musicking semi-comedic interchanges, algebraically placed in various retro-futuristic contexts.

i.e. “Elvin Ray Jones extends his rhythmic necromancy into electronic drumming ala a Roland 808 drum machine, jamming with a then teenage John Coltrane, who, via his newest iPhone music ‘app’, ‘jailbreaks’ the contemporary intervalic expiations (and earns zero ‘likes’ on ‘Facebook’).

Joining the session is ‘Thelonious Sphere Monk’ on ‘Google Glass’ virtual granular gesture-driven rubberband…accompanied by a brand-sanctioned, John Zorn-a-bot…glass-blowing melted xylophone steel through micro-tuned, micro-processed cheese graters, all the while as Joujouka night lunch is nakedly piped to William Seward Burroughs’s Bluetooth grave.

Meanwhile, an old copy of Led Zeppelin IV is barely (but importantly) semi-discernible over the sound of a parking lot vacuum truck…

burning ghosts leave no smell.”

 

…and of course, all this taking place via the fixed-point-in-time of a Valyermo cargo-container-cum-jam-space, under the conceptual auteur currently DBA ‘Loopy C’.

Due to the ‘Rapid-viz’ method of favorable combinatorial permutations, I have kept individual ‘sketches’ to three minutes each, but since they have similar tessellated relationships with each other, ‘strings’ of similar grammars/sentences may be easily constructed for longer jams ;- S

The following ‘sets’ (A,B,C,D) are unique but related recombinations…each set a ‘formula’ expressed as duo or trio frameworks with particular ensemble configurations.

All instrumental realizations contained wherein ‘Loopy C’

 

A

B

C

D

 

 

posted by cgibson777 at 3:08 am  

Sunday, August 4, 2013

Ambius Entropies

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PLAYER

 

 

posted by cgibson777 at 2:20 am  

Sunday, August 4, 2013

Closet Ambient Loops

Sonically, spatially unstable and skewed layers of distant looping vinyl in conjunction with ambient synth static filaments.

 

PLAYER

 

 

posted by cgibson777 at 1:19 am  

Sunday, August 4, 2013

Jazz Glitch Vectors

Industrial glitch jazz takes.

 

PLAYER

 

 

posted by cgibson777 at 12:47 am  

Saturday, August 3, 2013

Prince Valiant vs The King Of Crimson (REMIX)

Prince Valiant vs The King Of Crimson (in a battle for Saint Christopher). Midi guitar vs Midi drum pads. For Steve G.

EDIT: Now one random-play set of  remixed versions of original sketches. Basic idea…Jazz/Rock bootleg guitar vibe (early King Crimson) in duet with early 80’s Japanese electronic music technology/machines as avant garde performance devices.

 

PLAYER

 

 

 

posted by cgibson777 at 12:00 am  

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