An Index Of Possibilities

Radio short wave spectrums + miscellaneous  improvs (including facetious strumming’s)

Short Hairs Player

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The liberation of one thought…after the fact.

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The Stelliferous Era (for Spectral and Granular Synths) P1

The Stelliferous Era (for Spectral and Granular Synths) P2

The Stelliferous Era (for Spectral and Granular Synths) P3

The Stelliferous Era (for Spectral and Granular Synths) P4

The Stelliferous Era (for Spectral and Granular Synths) P5

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The ‘series’ of experiments continues, this time utilizing the Defective Records software version of the ‘Klee’ sequencer under external generative influences.

“…In fact, programming a Klee sequence is an exercise in the unpredictable. The programmingpots interact with each other according to the Klee pattern driving them, and the Klee patternitself is as instantly changeable as programming a pot. Some changes will shift your Kleesequence in a slightly different direction, while some changes may shift the flow of things onehundred eighty degrees. In fact, the Klee gets its name from this concept. When the first modelwas designed, programming it was compared to molding a sculpture out of very loose clay. Some time after that statement, Romeo Fahl built a version of the first Klee model, and named it the Klee (which is pronounced ‘clay’) both in recognition of the “loose clay” description and in honor of the artist Paul Klee, whose work often, somehow, reflects the abstract nature ofprogramming a Klee sequencer and many of the sequences it’s been known to produce.”

Various percussion sounds include Applied Acoustics Systems ‘Chromaphone’ and the inspired sound designs of Simon Stockhausen’s ‘Cardinals’.

Percussion Scapes Volume 3 Player

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Initial improv sessions with a new soundbank from ‘Yuroun Sound Design‘.

Abstractum II Sessions 1 SET 1 Player

Abstractum II Sessions 1 SET 2 Player

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No rabbit here!

Peter’s Hole Player

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Chromascapes Player

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More prime number experimental percussion solo variations combined/arranged per Cagean principles/aesthetics.

Percussion Scapes Volume 2 SET 1 Player

Percussion Scapes Volume 2 SET 2 Player

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Prime number experimental percussion solo variations combined/arranged per Cagean principles/aesthetics.

SET 1 Player

SET 2 Player

SET 3 Player

SET 4 Player

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Presented in a variety of scales and keys, I made these ‘naked’ single instrument soundscapes for my own library. Constant temporally based interval shifting based on Fibonacci number relationships. First part of name indicates ‘key’ per the ‘Camelot System’. Part of the ‘Ambient Dubplates’ series.

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Lines and planes, conjugate generalized momenta, every degree of freedom.

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Special thanks: Jim Hurley, Simon Stockhausen, and Twisted Tools.

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Brian Eno visits Stanley Kubrick on the moon circa 2001.

12082011 Player

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Rhythmic entanglements and black hole ambient vamps for future overlayering.

12072011 Player

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The Buddha Channel Vol. 1 Player

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Part of the ‘Ambient Dubplates’ series, Volume 8.

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“For me there is only the traveling on paths that have heart, on any path that may have heart, and the only worthwhile challenge is to traverse its full length–and there I travel looking, looking breathlessly.”

Carlos Castaneda. The Teachings Of Don Juan

Part 1 Player

Part 2 Player

Part 3 Player

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Phlogiston of the nagual. Solo full-length tracks from an earlier post….Chronic sans Riddick. Visits to nonordinary reality and leaps into the abyss of aural hallucinations. Ambient dubplates volume 6.

The Art Of Dreaming Player

Once again special thanks Simon Stockhausen for his ‘alchemical’ sound designs.

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The knowledge of something necessary  can be discoverable rather than known a priori. Eight variations on an ambient theme,  ambient dubplate vol. 5.

Hesperus Is Phosphorus Player

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Chamberworx Player

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Music For Small Airports Player

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Dawn and dusk, sonic binaural winds winding through dusty canyons and shadowed trails…becoming the aural prayers of a desert night with full moon.

Dark Light Player

Light Dark Player

Dedicated to Bernd Keil, Deiter Zobel, and Jim Hurley.

Temporal Interpolation between the sampled timbres of the Large Hedron Collider. Thanks ‘wire to the ear’ for link to original audio.

Cern Evolutions Player

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Mint dulce space chili, served in the semisonic vacuum of a cool desert evening.

Ambient Dubplates Vol 4 P1 Player

Ambient Dubplates Vol 4 P2 Player

Special thanks Simon Stockhausen/Patchpool for ‘Eternity’ and Colin Chabot for ‘Space Modulator.’

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Smoothing out the irregularities of frequencies made physical, activity in the rooms of a resonant fever.

Different From The One You Are In Player P1

Different From The One You Are In Player P2

Different From The One You Are In Player P3

Technical notes:

Special thanks Artemiy Pavlov/Sinevibes for creative dsp and inspiration.

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The Fortunes Of Lightning Player

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Tracing angles of incidence, rays, deviations, and dispersions of personal internal reflections/refractions? Metaphysics applied to spectral distinctions in the parlance of aural ‘Opticks’.

Huygen’s Snails Part 1 Player

Huygen’s Snails Part 2 Player

Huygen’s Snails Part 3 Player

Huygen’s Snails Part 4 Player

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An aural Krumbein phi scale, where size in Φ = -log base 2 of size in mm. Rock & roll (and gravel) beach time fun!

Wet Sands Vol. 1 Player

Wet Sands Vol. 2 Player

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Oscillations from the aether, Babbage confetti automata caked in etheric mucas hating the moon from a dirty time machine.

Antique Futures Vol. 13 Player

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For Paul Klee. Taking a line for a walk, part 2.

Skia Plus Oura Player

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The next set .

Ambient Dubplates Vol 3  Player

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Musings for that ‘OxyContin’ kind of day.

Slo Rolls Player

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Ambient Quartets (Primes Studies In Five Parts)

Sketching ‘Lucas Primes’ (integer sequences) into synthesized ambient soundscapes (synth quartet form).

Ambient Quartets 1 Player

Ambient Quartets 2 Player

Ambient Quartets 3 Player

Ambient Quartets 4 Player

Ambient Quartets 5 Player

Ambient Quartets 6 Player

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Second in the series of personal ambients for further dub/play/jams. A deep breakfast of burnt sound flaps.

Ambient Dubplates Vol 2 Player

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First in a new proposed series in a ever-growing catalog of personal dubplates, this time of ambient textures approached from a mathematical context (conceptually).

“In mathematics, especially in geometry and topology, an ambient space is the space surrounding a mathematical object. For example, a line may be studied in isolation, or it may be studied as an object in two-dimensional space — in which case the ambient space is the plane, or as an object in three-dimensional space — in which case the ambient space is three-dimensional. To see why this makes a difference, consider the statement “Lines that never meet are necessarily parallel.” This is true if the ambient space is two-dimensional, but false if the ambient space is three-dimensional, because in the latter case the lines could be skew lines, rather than parallel.”

Ambient Dubplate 1 Player

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Glass Armonica Chorales based on integer sequences and a low dopamine quotient. The ‘steam punk‘ ambient drone thematic equalivent of Ennio Morricone’s ‘The Mission’ if  played in a Peruvian garage by Ben Franklin and remixed at Peter Gabriel’s Real World Studio 200 years later?

Black Glass Duos Player

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Chapman stick improv’s, fogged and dispersed via multiple processing and ideas from the heritage and thinking of a ‘once guitarist’ in the now-future of an ‘any and all stomp boxes you want’ virtual playground.

The Chapman Drones Player

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Robert Fripp/Brian Eno ‘Frippatronics’ inspired stylings played ala the custom glass instrument/sculpture, Bernard and Francois Baschet’s ‘Le Cristal’. Also, a few more percussive-based  improv variations on same instrument sprinkled in (can glass be sprinkled?). Sampled version of  ’Le Cristal’ instrument courtesy of SonicCouture. Actual note performance based and expanded upon from the integer sequences found at Integer Sequence Encyclopedia.

Le Frippatronic Cristal Couture Player

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Special thanks ‘Twisted Tools’ designer Igor Shilov for the creation of the specially commissioned integer sequencing note generator.

An evening’s initial experimentations and performance of the new Alchemy Sound Bank by Electric Himalaya. Really, REALLY great sounds, if you own Camel Audio’s Alchemy highly recommended. Each track is one solo patch from the bank, nothing else except a touch of compression and liberal application/performance of the included ‘NI Kore’ controller assignments. Big fun, small price

Himalaya Drifts Player

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Basic ‘prototypes’ of winter solstice moods, via an icy glass of electronic chill math-related harmonic sinewaves.

Decembering Player

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Dedicated to Simon Stockhausen, whose generous ‘gratis’ donation to the Reaktor community of sounds and sound design made this ‘trio’ session possible. Cheers Simon

Three Reaktor ‘Metaphysical Function’ ensembles thematically evolved in a trio form for a meta electro acoustic dramaturgy

082209 Meta Tetras Player

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Of from simply,

Is, his either early 1

His Airports about mind…refer treatments for the ? of !

Created about Jarre, Muzak references, and who one creates including in or of the two.

Ambient Musings Player

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Technical description of  experimental concept and implementation to come.

Sine Language Player

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Ancient tunings and scales (ancient Mesopotamia, Greece and Rome) meet various electroacoustic instrumentation (duo and trio). Initial mix with a ‘tad’ bit (24 to be exact) of lo-fi patina. For Cordell Pool (wherever you are?)

High Noon In The Garden Of Life Player

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Early mixes/versions of 11 of the ‘moods’ sculpted from an evening’s sound design experimentation in acoustic modeling ‘hybrids’ and ‘mutations’.

11 Sonic Sculptures Player

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Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:

Avant Garde Mash-Ups Master Track Player Index

Loopy C ‘Plays’ Master Track Player Index

(also visible to right in ‘sidebar’ under ‘Pages’)

These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the accompanying info but for now all the track player links should be active for ‘Discover/Encounter’ sessions

Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):

Master Playlist’s Players

A shadow meme of the ‘Godfather’s’ seminal album (Brian Eno’s ‘Before and After Science) performed by ‘post modernist glitch gangsta duo’.
 

After Before And After Science

Initial ‘sketch for future development of a ‘Eno glitch aesthetic theory.

art by c.gibson

Philosophers stoned, Plato is Play-Doh…silly serious permutations on a theme. Just some basic funning with the new Camel Audio ‘Alchemy’ (first night flow/play)

Alchemy Medley

Getting into a ‘Forbidden Planet vs. ‘The Conet Project (Numbers Stations)’ fantasia, in the vein of both old ‘academic electronics’ records and library recordings but with a decidedly modern avant garde/soundscape media approach via high quality and powerful radio transceiver samples and ‘glitch’ realtime software performance.

112608 Airscapes Player

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Original samples of radio transceiver by Ian Boddy (‘Airwaves/Waveforms’)

Sweated welding scraping brooders (for Mr. Rick Scott (aka ‘rachmiel’)

Ill Twang Thing Son Player 

art by c.gibson