SET 1: The sickening sweet purple brown vertigo of the last moments before a mind shuts down…then lunch! Support your local cough syrup.
SET 2: The crossword skin puzzles of unidentified red itchy irritation, and the subsequent frenzied searching for lost and expired ointments.
(in both cases, strictly hypothetical…just what the tracks reminded me of once mixed ;-))
“As is spoken … not named
And of cause –
To be ripped/burned into
Tangential effects –
I am but beautiful senses”
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Deteriorating, crumbling black and white cassette tape dreams and loops.
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Pretty much what the title says 😉
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Inspired by Nurse With Wound. Creaking, below deck aural hallucinations become serenade for mariner spirits.
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Blacklight and bad cassette late night automaton tribalism for percussion and ‘Scratch Guitar’. Stanky basement ‘cabinet of curiosity bangings’ and assorted material object sonic tortures.
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Tossing tracks and applying dressings in the last hours of a Saturday session. Misc unfinished ideas and re-combinations.
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Conclusion (for now).
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Noise-jazz avant garde sweeping transcendental white-hot metal pulsings.
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Further research into waveform-controlled mixing of sound particle frames.
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Phasing mathematical ratios controlling two moving, morphing sound frames of biological sound loops. A techno ‘Kevin Drumm’ prototype?
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High kill jam shelter rescue…
“Even a dumb rat should be smart enough to know it doesn’t need to run when I want to pick it up, and it should remember that nothing bad has ever happened to it anytime I’ve handled it in the past.”
The Sissy Ratty Improv Sessions Player
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A Hammer Films homage of underworld sonic noir missives.
Alec Station Player
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Testing the tensile strength for moments of the heart made steel.
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Some brief audio tours of my broken factory of a mind. Initial appearance of currently developing sessions with Simon Stockhausen’s Patchpool Metallurgy samples.
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At the wailing wall of clocked gristle, the hounds of hell are skateboarders…granular disco for digipunks on cat food.
His Sobbing Missiles Player
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Crumpled strangled ‘bump and jitter’ jams, grey mattresses of noise inscribed to flat rust ribbons with ice picks made of bumblebees and tinnitus. Yuck yummy, rinse and repeat.
Someone Left My Cassettes Out In The Rain Player
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Walkman looped rubber audio, fingers in the reels
If out slide, Out it or end
…on step loop securely, tape case scotch plastic art
Downstepping the ‘When’
You are the see change, these are the layers
Handheld Tape Looops
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Four ‘medleys’ of very ‘extreme’ avant garde inspired remixes/improvs via Onkyokei
aesthetics. A virtual re-amping, pitch-to-audio, and other silly trickery of various ‘Folkways’ ethnic albums (1950’s~).
Only the above mentioned original ‘ethnic’ album tracks (via processing) are used here, no other performance or synthesis present.
Onkyokei (translation: “sound, noise, echo”) places much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
Track/Medley One – Old school ‘Glitchshifting‘ improv’s/meditations
Track/Medley Two – ‘100 tap delay*’ processes (in duo form)
Track/Medley Three – Audio-to-pitch synthesis into unusual spectralisms (in duo form)
Track/Medley Four – wrap up/final minutes of Track/Medley Three
Folkways Medleys Player
*’100′ Tap delay via Intelligent Device’s VST :
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Industrial ambient land (and air) scapes for Messrs. Mr. A. Smirnov and A Mr. ‘Jazzyspoon’.
Greasy Airplanes Player
Airplane Trios Player
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Pure Land (SUKhavati). Excursions into the spiritual bliss of sound sediments, subductions, and micro geology’s/geography’s. For Jonathan Style (SUKAudio) and featuring his ‘SUKNoise’ Reaktor ensemble.
Pure Land Player
for other Jonathan Style related tracks please see:
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The factory inside my laptop, rhythm tracks ultimately destined for a conceptual ‘diesel pulp jam’ (as yet realized). Each ‘trio trap set’ rhythm represented by long, medium, and close-up mic-shots.
Rhythms derived by the juxtaposition of ‘chromatic scale bpm’s’, that is, BPM’s conforming to the same intervalic ratios found in a C chromatic scale. The layering (here in a ‘trio’ configuration’) is then imaginarily ‘spot-mic’d’ via a set of surgical resonant eq’s designed to spectrally isolate each layer from one another, setting it apart wih no overlapping of frequencies to it’s neighbors (3D EQ?). These eq.s are ‘rotated’ into three different positions per trio to create ‘long’,’ medium,’ and ‘close-ups’ (and/or X,Y, and Z) view aspects of individual performances.
Ideally, a sonic impression is suggested of the machinations of some ‘science fiction noir’ factory and it’s alien mechanicals of unknown purpose chugging, gulping, gurgling, ripping, clanking…(you get the picture) away.
Original Reaktor instrument design by Dieter Zobel
DieselPunk RhythmBytes Player
Dedicated to ‘Andrew Now’s T.I. factory memories.
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Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:
Avant Garde Mash-Ups Master Track Player Index
Loopy C ‘Plays’ Master Track Player Index
(also visible to right in ‘sidebar’ under ‘Pages’)
These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the accompanying info but for now all the track player links should be active for ‘Discover/Encounter’ sessions 🙂
Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):
Master Playlist’s Players
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Audio photocollage in the vein of David Hockney’s ‘joiners’. A joiner consists of a series of photographs taken from different viewpoints, arranged (overlapping) to form a single piece. By taking the pictures from carefully selected viewpoints, and arranging them in the right way, Hockney was able to change the apparent shape of space and introduce the element of time into the work.
Here, layered time, space, and narrative is attempted through a mathematical presentation of ‘chunks’ and layers of sound bytes in a vein related to Cubist concerns. The challenge is then of two ears (as opposed to two eyes in Cubist theory) in slightly different moments of time.
Oscillators Made Of Joiners Player
The above image is probably the most well known of Hockney’s ‘Joiners; and in a bit of fate happens to been created only miles from where I presently live!
Oscillators Made Of Polaroids
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The friction of centuries change, the third wave crashes and the liquid man emerges from a brown foam made of history. Shuddering murmur shakes, folded whispers foraging among the the sputter of rustling sparks.
Electro Plasma Sounds
Sound pressure take-out, side orders of confused interpretations clearly opaque in their frictive short lived travels from the swinging doors of perceptions to your consciousness’ dirty plate. Susurrent stir fry language curls.
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Radio waves arrive wounded and dead (but ‘undead’) in my high desert front yard. Divorced of their original missions, leaving me only to interpolate the noise back into signls that at least amuse.
Bad Reception Player
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A ‘series’ of studies dedicated to the industrial musique concrete of Zoviet France. It’s a long playlist, so I have set it up so each time you use your browser ‘reload’, the order changes.
Oviet Rance Player
*Reverberation included in this recording is from Hollywood Impulse Responses produced by Ernest Cholakis’.
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