An Index Of Possibilities

'Sometimes, cutting into the present releases the future'

Sunday, April 16, 2017

Dazed and Concussed

SET 1: The sickening sweet purple brown vertigo of¬† the last moments before a mind shuts down…then lunch! Support your local cough syrup.

SET 2: The crossword skin puzzles of unidentified red itchy irritation, and the subsequent frenzied searching for lost and expired ointments.

(in both cases, strictly hypothetical…just what the tracks reminded me of once mixed ;-))

 

SET 1

SET 2

 

 

posted by cgibson777 at 4:39 am  

Saturday, April 8, 2017

Hot Mess on A Cold Drum

“As is spoken … not named
And of cause –
To be ripped/burned into
Tangential effects –
I am but beautiful senses”

 

PLAYER

 

 

posted by cgibson777 at 11:13 am  

Saturday, December 31, 2016

Always Darkest Before The…

Deteriorating, crumbling black and white cassette tape dreams and loops.

 

PLAYER

 

 

posted by cgibson777 at 11:50 pm  

Monday, December 19, 2016

A Drum Machine Trapped Between A Tire Repair Shop and Unattended Guitar Amp

Pretty much what the title says ūüėČ

 

PLAYER

 

 

posted by cgibson777 at 12:22 am  

Monday, December 12, 2016

Underground Cassette Forgeries Series Vol 31

..

 

PLAYER

 

 

posted by cgibson777 at 1:02 pm  

Monday, December 12, 2016

Dark Matter Lullabies

..

 

PLAYER

 

 

posted by cgibson777 at 12:57 pm  

Wednesday, November 30, 2016

Muzak For A Ghost Ship

Inspired by Nurse With Wound. Creaking, below deck aural hallucinations become serenade for mariner spirits.

 

PLAYER

 

 

posted by cgibson777 at 8:49 pm  

Saturday, October 15, 2016

The Automaton Long Hair Theater Sessions (*Updated Remixes)

Blacklight and bad cassette late night automaton tribalism for percussion and ‘Scratch Guitar’. Stanky basement ‘cabinet of curiosity bangings’ and assorted material object sonic tortures.

 

PLAYER

 

 

posted by cgibson777 at 3:36 pm  

Sunday, July 31, 2016

Salad Before Bed (Late Night Leftovers Jam)

Tossing tracks and applying dressings in the last hours of a Saturday session. Misc unfinished ideas and re-combinations.

 

SET 1

SET 2

SET 3

SET 4

 

 

posted by cgibson777 at 5:57 pm  

Saturday, December 26, 2015

Recrudescence Of The Fusty Warping Weft

..

 

PLAYER

 

 

posted by cgibson777 at 10:30 am  

Sunday, December 14, 2014

Shaped Noise Rhythmics v3

Conclusion (for now).

 

PLAYER

 

 

posted by cgibson777 at 12:15 am  

Saturday, December 13, 2014

Shaped Noise Rhythmics v2

Continued…

 

PLAYER

 

 

posted by cgibson777 at 11:14 pm  

Saturday, December 13, 2014

Shaped Noise Rhythmics v1

Noise-jazz avant garde sweeping transcendental white-hot metal pulsings.

 

PLAYER

 

 

posted by cgibson777 at 10:52 pm  

Saturday, December 13, 2014

Shaped Noise Rhythmics (Fungus)

Somethings growing…

Further research into waveform-controlled mixing of sound particle frames.

 

PLAYER

 

 

posted by cgibson777 at 10:46 pm  

Saturday, December 13, 2014

Shaped Noise Rhythms (Biomorphs)

Phasing mathematical ratios controlling two moving, morphing sound frames of biological sound loops. A techno ‘Kevin Drumm’ prototype?

 

PLAYER

 

 

posted by cgibson777 at 9:37 pm  

Wednesday, October 22, 2014

Klanghaus (Mars Magic Square Versions)

..

 

PLAYER

 

 

posted by cgibson777 at 2:05 pm  

Friday, May 10, 2013

Splinter Numb

both to¬†numb the skin against your prodding, and to distract the kid¬†…”

Special thanks ‘Everything Turns’ Reaktor ensemble ‘SplinterTap’.

 

Splinter Numb Player

 

 

posted by cgibson777 at 8:42 pm  

Friday, May 10, 2013

The Sissy Ratty Improv Sessions

High kill jam shelter rescue…

“Even a dumb rat should be smart enough to know it doesn‚Äôt need to run when I want to pick it up, and it should remember that nothing bad has ever happened to it anytime I‚Äôve handled it in the past.”

 

The Sissy Ratty Improv Sessions Player

 

 

posted by cgibson777 at 8:21 pm  

Sunday, May 5, 2013

Alec Station

A Hammer Films homage of underworld sonic noir missives.

 

Alec Station Player

 

 

posted by cgibson777 at 11:02 am  

Monday, January 14, 2013

I Love You Still

Testing the tensile strength for moments of the heart made steel.

 

SET 1

SET 2

SET 3

 

 

posted by cgibson777 at 9:12 am  

Sunday, October 14, 2012

Steel Within Wheels Made Of Wheels Within Steel

..

 

Player

 

 

posted by cgibson777 at 2:13 pm  

Sunday, February 5, 2012

The Moon Is A Harsh Made In Japan

..

 

02022012 Trios 1 Player

 

 

posted by cgibson777 at 2:40 am  

Sunday, January 1, 2012

Myths Cyms Metals

Some brief audio tours of my broken factory of a mind. Initial appearance of currently developing sessions with Simon Stockhausen’s Patchpool Metallurgy samples.

 

Player

 

 

posted by cgibson777 at 2:02 am  

Saturday, June 18, 2011

His Sobbing Missiles

At the wailing wall of clocked gristle, the hounds of hell are skateboarders…granular disco for digipunks on cat food.

 

His Sobbing Missiles Player

 

 

posted by cgibson777 at 12:33 pm  

Wednesday, September 15, 2010

Someone Left My Cassettes Out In The Rain

Crumpled strangled ‘bump and jitter’ jams, grey mattresses of noise inscribed to flat rust ribbons with ice picks made of bumblebees and tinnitus. Yuck yummy, rinse and repeat.

Someone Left My Cassettes Out In The Rain Player

posted by cgibson777 at 1:18 am  

Wednesday, September 15, 2010

Handheld Tape Looops (Throbbing Onda)

Walkman looped rubber audio, fingers in the reels

If out slide, Out it or end

…on step loop securely, tape case scotch plastic art

Downstepping the ‘When’

You are the see change, these are the layers


Handheld Tape Looops

posted by cgibson777 at 1:14 am  

Friday, July 10, 2009

Smithsonian Folkways – An Xtreme Re-conceptualization

Four ‚Äėmedleys‚Äô of very ‘extreme’ avant garde inspired remixes/improvs via¬†Onkyokei
aesthetics. A virtual re-amping, pitch-to-audio, and other silly trickery of various ‘Folkways’ ethnic albums (1950’s~).

Only the above mentioned original ‘ethnic’ album tracks (via processing) are used here, no other performance or synthesis present.

Onkyokei (translation: “sound, noise, echo”) places much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.

Track/Medley One – Old school¬†‘Glitchshifting‘ improv’s/meditations

Track/Medley Two –¬†‘100 tap delay*’ processes (in duo form)

Track/Medley Three –¬†Audio-to-pitch synthesis into unusual spectralisms (in duo form)

Track/Medley Four – wrap up/final minutes of Track/Medley Three

Folkways Medleys Player

*’100′ Tap delay via Intelligent Device’s VST :

MegaDelayMass

posted by cgibson777 at 3:22 am  

Friday, July 10, 2009

Greasy Airplanes + Airplane Trios

Industrial ambient land (and air) scapes for¬†Messrs.¬†Mr. A. Smirnov and A Mr. ‘Jazzyspoon’.

Greasy Airplanes Player

Airplane Trios Player

posted by cgibson777 at 12:00 am  

Wednesday, July 1, 2009

Pure Land (SUKhavati)

Pure Land (SUKhavati). ¬†Excursions into the spiritual bliss of sound sediments, subductions, and micro¬†geology’s/geography’s.¬†For Jonathan Style (SUKAudio) and featuring his ‘SUKNoise’ Reaktor ensemble.

 

Pure Land Player

 

 

for other Jonathan Style related tracks please see:

http://loopyc.com/?p=601

 

 

posted by cgibson777 at 12:20 am  

Tuesday, February 3, 2009

Diesel Punk Rhythm Bytes

 

The factory inside my laptop, rhythm tracks ultimately destined for a conceptual ‘diesel pulp jam’ (as yet¬†realized). Each ‘trio trap set’¬†rhythm¬†represented by long, medium, and close-up mic-shots.

Rhythms derived by the juxtaposition of ‘chromatic scale bpm’s’, that is, BPM’s conforming to the same intervalic ratios found in a C chromatic scale. The layering (here in a ‘trio’ configuration’) is then imaginarily ‘spot-mic’d’ via a set of surgical resonant eq’s designed to spectrally isolate each layer from one another, setting it apart wih no overlapping of frequencies to it’s neighbors (3D EQ?). These eq.s are ‘rotated’ into three different positions per trio to create ¬†‘long’,’ medium,’ and ‘close-ups’ (and/or X,Y, and Z) view aspects of ¬†individual performances.

Ideally, a sonic impression is suggested of the¬†machinations¬†of some ‘science fiction noir’ factory and it’s alien mechanicals of unknown purpose chugging, gulping, gurgling, ripping, clanking…(you get the picture) away.

Original Reaktor instrument design by Dieter Zobel

 

DieselPunk RhythmBytes Player

 

Dedicated to ‘Andrew Now’s T.I. factory memories.

Also related:

http://loopyc.com/?p=446

posted by cgibson777 at 11:32 pm  

Tuesday, January 27, 2009

Two ‘Master Track Player’ Index Pages Added

Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:

 

Avant Garde Mash-Ups Master Track Player Index

 

Loopy C ‘Plays’ Master Track Player Index

 

(also visible to right in ‘sidebar’ under ‘Pages’)

 

These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the¬†accompanying¬†info but for now all the track player links should be active for ‘Discover/Encounter’ sessions ūüôā

Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):

 

Master Playlist’s Players

 

 


posted by cgibson777 at 12:00 am  

Thursday, September 18, 2008

Oscillators Made Of ‘Joiners’


 

Audio photocollage in the vein of David Hockney’s ‘joiners’.¬†¬†A joiner consists of a series of photographs taken from different viewpoints, arranged (overlapping) to form a single piece. By taking the pictures from carefully selected viewpoints, and arranging them in the right way, Hockney was able to change the apparent shape of space and introduce the element of time into the work.

Here, layered time, space, and narrative is attempted through a mathematical presentation of ‘chunks’ and layers of sound bytes in a vein related to Cubist concerns. The challenge is then of two ears (as opposed to two eyes in Cubist theory) in slightly different moments of time.
 

Oscillators Made Of Joiners Player

 

The above image is probably the most well known of Hockney’s ‘Joiners; and in a bit of fate happens to been created only miles from where I presently live!

Also related:

Oscillators Made Of Polaroids

 

posted by cgibson777 at 7:58 am  

Friday, September 5, 2008

Soundscapes

The friction of centuries change, the third wave crashes and the liquid man emerges from a brown foam made of history. Shuddering murmur shakes, folded whispers foraging among the the sputter of rustling sparks.

Electro Plasma Sounds

Sound pressure take-out, side orders of confused¬†interpretations¬†clearly opaque in their frictive short lived travels from the swinging doors of perceptions to your¬†consciousness’¬†dirty plate. Susurrent stir fry language curls.

Meta China

posted by cgibson777 at 12:38 am  

Wednesday, June 18, 2008

Nice Wedding, Bad Reception

Bad Reception

Radio waves arrive wounded and dead (but ‘undead’) in my high desert front yard. Divorced of their original missions, leaving me only to interpolate the noise back into signls that at least amuse.

Bad Reception Player

posted by cgibson777 at 12:00 am  

Saturday, June 14, 2008

Oviet Rance

Oviet Rance

A ‘series’ of studies dedicated to the industrial¬†musique¬†concrete of Zoviet France. It’s a long playlist, so I have set it up so each time you use your browser ‘reload’, the order changes.

Oviet Rance Player

*Reverberation included in this recording is from Hollywood Impulse Responses produced by Ernest Cholakis’.
posted by cgibson777 at 12:00 am  

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