Wolfenstein vs. Merzbow half-life doomscapes.
'Sometimes, cutting into the present releases the future'
Crumpled strangled ‘bump and jitter’ jams, grey mattresses of noise inscribed to flat rust ribbons with ice picks made of bumblebees and tinnitus. Yuck yummy, rinse and repeat.
Walkman looped rubber audio, fingers in the reels
If out slide, Out it or end
…on step loop securely, tape case scotch plastic art
Downstepping the ‘When’
You are the see change, these are the layers
Tempo as surface disrupted, ‘drawn’ by ‘on demand’ synthesized sound DNA manipulations/mutations. Guided experimentation in the quest for kinetic physical simulacrums. This study constrained to a duo of ‘wheel triggers’, offset in small differences in ’tilt’ and ‘warp’ of each device’s wheel.
Tempo Surface Disruptions Player
Four ‘medleys’ of very ‘extreme’ avant garde inspired remixes/improvs via Onkyokei
aesthetics. A virtual re-amping, pitch-to-audio, and other silly trickery of various ‘Folkways’ ethnic albums (1950′s~).
Only the above mentioned original ‘ethnic’ album tracks (via processing) are used here, no other performance or synthesis present.
Onkyokei (translation: “sound, noise, echo”) places much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
Track/Medley One – Old school ‘Glitchshifting‘ improv’s/meditations
Track/Medley Two - ’100 tap delay*’ processes (in duo form)
Track/Medley Three - Audio-to-pitch synthesis into unusual spectralisms (in duo form)
Track/Medley Four – wrap up/final minutes of Track/Medley Three
Folkways Medleys Player
*’100′ Tap delay via Intelligent Device’s VST :
Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:
(also visible to right in ‘sidebar’ under ‘Pages’)
These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the accompanying info but for now all the track player links should be active for ‘Discover/Encounter’ sessions
Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):
All new years around the world are celebrated via the indiscriminate sonic characteristics of ‘noise makers’,etc.
Here is mine (a composed noise trio/concerto of my own sound design extremes):
Radio waves arrive wounded and dead (but ‘undead’) in my high desert front yard. Divorced of their original missions, leaving me only to interpolate the noise back into signls that at least amuse.
‘I came to the studio to make noises speak, I stumbled onto music’ (Pierre Schaeffer 1998)
Electroacoustic noise sextet in a virtual cistern.
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