An Index Of Possibilities

'Sometimes, cutting into the present releases the future'

Friday, December 16, 2016

Abstract IDM Patterning

Kaleidoscopic spectral permutations of patterns in movement.

 

SET 1

SET 2

 

 

posted by cgibson777 at 8:30 pm  

Wednesday, September 14, 2016

The Attitudes Of Form

research + indeterminacy + change = experience research + indeterminacy + experience = change experience + change = indeterminacy research + non-subjectivity = indeterminacy non-subjectivity + change = research

 

PLAYER

 

 

posted by cgibson777 at 8:42 am  

Thursday, September 1, 2016

Primes XFader TransFoggers

Experimental in music seems to me, it should be something that through the music, through the way it’s performed, possibly though the way it’s presented . . . socially and in concert situations . . . suggests the possibility of change. . . . The music becomes a kind of metaphor, if you will, for a social situation, that it suggests a way of organizing your thinking, your attitude towards the world, which suggests that the world could be different. . . . So that would seem to me now what experimental is about, providing a kind of model, an incentive for the notion of change.

 

PLAYER

 

 

posted by cgibson777 at 9:12 am  

Sunday, July 31, 2016

Salad Before Bed (Late Night Leftovers Jam)

Tossing tracks and applying dressings in the last hours of a Saturday session. Misc unfinished ideas and re-combinations.

 

SET 1

SET 2

SET 3

SET 4

 

 

posted by cgibson777 at 5:57 pm  

Sunday, May 8, 2016

Virtual Modular Glitch Sessions (Cable Modulations)

Superhero power to switch multiple virtual patch cables in the blink of an eye! Bazille virtual modular with modulated patch cable switching.

 

SET 1

SET 2

 

 

posted by cgibson777 at 5:51 pm  

Saturday, March 12, 2016

Misc Ambient Glitch Series (Quick Mixed)

*Special Note: Testing finalization to CD volume levels so this playlist is louder than my normal ones.

 

PLAYER

 

 

posted by cgibson777 at 2:19 pm  

Saturday, November 14, 2015

Granulate Sessions 1~3

..

 

SET 1

SET 2

SET 3

 

 

posted by cgibson777 at 1:04 am  

Friday, August 7, 2015

Minimal Platter Morphs

..

 

P1

P2

 

 

posted by cgibson777 at 6:57 pm  

Saturday, July 4, 2015

Summer Singles Volume 9

A compendium of ideas/multitrack experiments circa 2015 (up to now). Sketches, experiments, live improv’s…in the form of a multi-volume digest consisting of avant garde miniatures .

 

PLAYER

 

 

posted by cgibson777 at 1:00 am  

Sunday, April 26, 2015

Fell’d

Algo-rhythmic generative, techno-informed patterns via Twisted Tool’s ‘Buffeater’ Reaktor ensemble and prime numbers, producing exploratory ‘multi-simultaneous parametric automation compositions’.

 

P1

P2

 

 

posted by cgibson777 at 10:18 am  

Sunday, April 12, 2015

OctaGlitchBreaks

..

 

PLAYER

 

 

..

posted by cgibson777 at 6:36 am  

Saturday, March 21, 2015

Thruummm

Glitchy groove sketches, the sound of aliens dancing/melting…

(…special thanks Rick Scott for the ‘SampleThrasher’ ensemble)

 

PLAYER

 

 

posted by cgibson777 at 1:13 am  

Saturday, February 28, 2015

An Unquiet Life

Sharper imaging for the ear.

 

SET 1

 

SET 2

 

 

posted by cgibson777 at 12:00 am  

Friday, November 21, 2014

Devine Sandman with Cataracts

One long, shuffled playlist of experiments with realtime time stretching and sound/pitch morphing (including applied Fibonacci periodic Bezier abstract volume/pannings)

 

PLAYER

 

 

posted by cgibson777 at 11:45 pm  

Saturday, November 15, 2014

Roach Clips

For Steve Roach, a ‘glitch-based take’ on his inspiration on me of synthesied, sonic ‘walkabouts’.

Morphing ‘syrobonker’ drums via a ‘Twisted Tools ‘Vortex’ performance hack, combined with assorted minimalist synth improvs.

 

PLAYER

 

 

posted by cgibson777 at 12:57 am  

Friday, November 14, 2014

Vibescapes

Nautilus shell scales, made of haptic oscillators, float upon an ambagious tegular sea of vibraphonic waves.  ‘Prepared Vibraphone’ variations duets with fibonacci-morphed Twisted Tool’s Reaktor ensemble ‘Scapes’ .

 

PLAYER

 

 

posted by cgibson777 at 11:45 pm  

Tuesday, June 10, 2014

The Urologist’s Stone

Explanation Code = Deductible (Out Of Pocket)

“Make of a man and woman a circle; then a quadrangle; out of the this a triangle; make again a circle, and you will have the Stone of the Wise. Thus is made the stone, which thou canst not discover, unless you, through diligence, learn to understand this geometrical teaching.”

 

PLAYER

 

 

posted by cgibson777 at 4:34 pm  

Tuesday, June 10, 2014

Snap Crackle and Drone

Dark skies bring the Greys with bright eyes and insect rhythms.

 

PLAYER

 

 

posted by cgibson777 at 3:46 pm  

Sunday, March 30, 2014

Come To Liberace (Daddy)

Using the ratios of harmonics as rhythm and glitch rhythm as microtonal intervals. Terry Bozzio vs. W.C. (Debussy) Fields?

 

PLAYER

 

 

posted by cgibson777 at 2:16 am  

Sunday, March 30, 2014

An Intoxication Within

Disruptive effect on the semicircular canals of the inner ear and chemical irritation of the cerebral mucosa…for percussion and laptop duo.

 

PLAYER

 

 

posted by cgibson777 at 2:13 am  

Thursday, February 6, 2014

Teenage Engineering

Rave, synthesis, elasticity, time dilation, chronesthesia, goo, hoover, hoover-stretching, hyperobject, slime, psychedelia, fractal, upward spiral, downward spiral, warping, hooliganism, mereology, horns, horny, tetrafluoroethane, acid, anti-humanism, mentasmic, climax, freeze-frame, recursive, poing, anthem, non-anthem, balloon, strobe, unrestricted composition, party boobytrap, palindrome, fold-in, continuum, squashed, monolith, asymmetry, climax denial, quasiperiodic, gabber, homeomorphic, recurrence, fluorescence, phosphorescence.

…for Andy Who?

 

PLAYER

 

 

posted by cgibson777 at 11:23 pm  

Wednesday, October 16, 2013

Domestic Purples

Special thanks David Anthony Hickman.

 

Player

 

 

posted by cgibson777 at 3:22 am  

Wednesday, October 16, 2013

Kinetic Purples

Special thanks David Anthony Hickman.

 

Player

 

 

posted by cgibson777 at 3:18 am  

Sunday, August 4, 2013

Jazz Glitch Vectors

Industrial glitch jazz takes.

 

PLAYER

 

 

posted by cgibson777 at 12:47 am  

Saturday, June 15, 2013

Dirt Loupes

Unobtainium sessions of fictional, impossible material. Chipcrushed, intermittent radio reception circuit-trashings go bang in the night (miscellaneous improvisations with realtime granular freeze-loops). Initial ‘solo’ textures for future projects.

 

SET 1

SET 2

SET 3

SET 4

SET 5

SET 6

Special thanks Peter Dines

 

posted by cgibson777 at 1:37 am  

Sunday, June 2, 2013

Entangled Melodic Quantum Drifts

Heckler in the glitch gallery.

 

Entangled Melodic Quantum Drifts Player

 

 

posted by cgibson777 at 6:00 am  

Sunday, May 5, 2013

Loupe 2 Demo Improvs

Triadic integer series slice triggering become Reichian phase loops with an underlying Fibonacci divisor relative temporal offset. Initial live sessions with a custom integer sequencer and Peter Dine’s ‘Loupe 2’ Reaktor ensemble. Only Peter’s included sounds were used in session.

 

Loupe 2 Demo Improvs Player

 

 

posted by cgibson777 at 1:19 pm  

Monday, January 14, 2013

Tommyknockers

Kept awake by green glow night terrors via Stephen King, here aurally siphoned into sonic feedback and granular glissandos.

“We always assumed the aliens would have to at least be alive to invade. Not even H.G. Wells expected an invasion of ghosts.”

“Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don’t know if I can ‘cuz I’m so afraid of the tommyknocker man.”

 

Player

 

 

posted by cgibson777 at 7:58 am  

Tuesday, February 1, 2011

Autechrecords

Down into the abyssal zone of  faux noise floors, where the rasp and spark of cracked media wounds step out of the shadow of digital purity. Turning bits into atmospheres and detritus into tactic (cracktics).

 

Autechrecords 1 Player

Autechrecords 2 Player

Autechrecords 3 Player

 

 

posted by cgibson777 at 6:58 pm  

Friday, January 28, 2011

Time Takes A Drink Of Absinth

..

 

Time Takes A Drink Of Absinth P1 Player

Time Takes A Drink Of Absinth P2 Player

 

Special thanks Simon Stockhausen/Patchpool and Twisted Tools

 

 

posted by cgibson777 at 7:17 am  

Friday, January 21, 2011

Speaking Bits Through Shattered Prisms

..

 

Speaking Bits Through Shattered Prisms Player

 

 

posted by cgibson777 at 6:28 am  

Tuesday, December 21, 2010

Piano Crush

Scruze, squeeze, becrush, bruise...love.

Piano Crush Player

posted by cgibson777 at 6:38 am  

Tuesday, December 21, 2010

Record Trios & Quartets

..

Record Trios & Quartets Player

posted by cgibson777 at 5:23 am  

Thursday, September 23, 2010

Antique Futures Vol. 13

Oscillations from the aether, Babbage confetti automata caked in etheric mucas hating the moon from a dirty time machine.

Antique Futures Vol. 13 Player

posted by cgibson777 at 1:21 am  

Friday, September 10, 2010

Tea 4 Toop

Homage (in glitch) for David Toop (via ‘CD skipping’ duos).

Tea 4 Toop Player

posted by cgibson777 at 11:20 am  

Friday, August 27, 2010

Dust Ist Kreig

Phonography played (cooly). Laminar recordings of my own improv were then ‘played’ through a virtual radio tuner and finally combined with ‘dusty’ ambiance’s.

Dust Ist Kreig Player

posted by cgibson777 at 2:11 am  

Friday, July 16, 2010

Shut up, He Explained

A return to an inherent obtrusiveness of mine via ‘free splice’ improv compositions. Made of unfolding folders and purposefully misfiled/misplayed audio files, broken mobius looping harmonies attempt to obscure meters in favor of micro tempo/temper changes.

Lateral reference to Frank Zappa’s Synclavier System work applied/combined with impressions of the producer known as ‘Hefner’, in a ‘wonky’ and eventually aggressive manner of some modern ‘glitch-funk’ aesthetic? Or maybe just ‘note-sterbations’ here in the desert  😉

…in four parts.

Shut Up, He Explained

Shut Up, He Explained Some More

Son Of  Shut Up, He Explained

The Return Of Shut Up, He Explained

posted by cgibson777 at 5:58 am  

Friday, March 26, 2010

Prepared CD (Jazz Skippers)

Virtual break and crack rhythms in the fashion of an induced-into-malfunctioning compact disc media/player combo.

Prepared CD (Jazz Skippers) Player

posted by cgibson777 at 7:48 am  

Wednesday, March 24, 2010

The 5000 Drum Fingers Of Dr. C

The playing of several thousand potential ‘drummers’ (drum sound oscillators) derived from an RGB image. Each track is one single  drum loop, composed through triggering by a graphic score in 2048 pixel space. Conceptual/title reference to a somewhat obscure Dr. Seuss movie.

5000 Fingers Of Dr. C Player

posted by cgibson777 at 1:33 pm  

Sunday, March 7, 2010

New Maps Of Purple

Continuing studies of  singularly unique ambient hits in duet with the constantly mutating rhythms of electronic glitchy percussion.

New Maps Of Purple Player

posted by cgibson777 at 10:56 am  

Sunday, March 7, 2010

Records and Balloons

Avant garde turntablist vs. a close mic’d  ‘Twister’ (a maker of balloon animals).  ‘Chopped and screwed’ meets ‘weaving and stuffing’. Dedicated to j.fox.

Records and Balloons Player

posted by cgibson777 at 10:52 am  

Sunday, March 7, 2010

Captain Kirk Saves Whales and Hunts Ghosts

‘No, I am not from outer space…I only work there’. Ambient stingers duet with cracked and broken microbeats.

Captain Kirk Saves Whales and Hunts Ghosts Player

posted by cgibson777 at 10:40 am  

Monday, February 1, 2010

Data Bent Acoustics

A decomposition of various traditional stringed and struck instruments, their  sampled ‘essence’ exploded onto a sonic topography and then ‘foraged’ back into playback by a hungry, wandering dot. The ‘Circuit Bending’ of acoustic sampled instruments? Special thanks ‘Leafcutter John’ and ‘Bolder Sounds’.

Foraged Strings Player

posted by cgibson777 at 12:00 am  

Thursday, January 14, 2010

Per Imp

Two impressionistic ‘paintings’ of found sound percussive gestures.

Per Imp Player

posted by cgibson777 at 12:00 am  

Friday, October 9, 2009

Sounds From Image

My own abstract art becomes ‘glitch’. Mix/comp in emulation of a Robert Rauschenberg continuous ‘walk through’ exhibition. Images/notes to follow.


100909 Player

posted by cgibson777 at 7:30 am  

Monday, July 20, 2009

Points And Lines

Technical description of  experimental concept and implementation to come.

Points And Lines Player

posted by cgibson777 at 6:55 am  

Saturday, March 21, 2009

032109 Hard Hives

A glitch study in three parts (for now), of the sound of hard drives failing.

 

Hard Hives Player 

 

posted by cgibson777 at 4:48 am  

Tuesday, January 27, 2009

Two ‘Master Track Player’ Index Pages Added

Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:

 

Avant Garde Mash-Ups Master Track Player Index

 

Loopy C ‘Plays’ Master Track Player Index

 

(also visible to right in ‘sidebar’ under ‘Pages’)

 

These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the accompanying info but for now all the track player links should be active for ‘Discover/Encounter’ sessions 🙂

Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):

 

Master Playlist’s Players

 

 


posted by cgibson777 at 12:00 am  

Thursday, January 1, 2009

010109 ‘Happy Noise Year!’

All new years around the world are celebrated via the indiscriminate sonic characteristics of ‘noise makers’,etc.

Here is mine (a composed noise trio/concerto of my own sound design extremes):

 

Happy Noise Year (part 1)

 

 

posted by cgibson777 at 12:00 am  

Wednesday, June 25, 2008

062508

Granular beats meet avant garde noises.

062508 Player

 

*Reverberation included in this recording is from Hollywood Impulse Responses produced by Ernest Cholakis’.

 

posted by cgibson777 at 9:11 pm  

Wednesday, June 18, 2008

Nice Wedding, Bad Reception

Bad Reception

Radio waves arrive wounded and dead (but ‘undead’) in my high desert front yard. Divorced of their original missions, leaving me only to interpolate the noise back into signls that at least amuse.

Bad Reception Player

posted by cgibson777 at 12:00 am  

Saturday, June 14, 2008

Oviet Rance

Oviet Rance

A ‘series’ of studies dedicated to the industrial musique concrete of Zoviet France. It’s a long playlist, so I have set it up so each time you use your browser ‘reload’, the order changes.

Oviet Rance Player

*Reverberation included in this recording is from Hollywood Impulse Responses produced by Ernest Cholakis’.
posted by cgibson777 at 12:00 am  

Saturday, June 7, 2008

Bondage music for a glue sniffer?

Bondage For Glue Sniffer

‘I came to the studio to make noises speak, I stumbled onto music’ (Pierre Schaeffer 1998)

Electroacoustic noise sextet in a virtual cistern.

060608 Player

posted by cgibson777 at 12:46 am  

Wednesday, May 14, 2008

‘Altered Purztbaum’ (Trio Form)

Mouse On Merz AP

Another entry in the ongoing ‘Mouse On Merz’ series. Listening back, funny how those 80’s new age electronic music CD’s (ala Peter Baumann’s ‘Private Music’ label) come back to haunt my sonic choices in certain cases. But cool 😉

‘Altered Purtzbaum’ Player

*Reverberation included in this recording is from Hollywood Impulse Responses produced by Ernest Cholakis’.
posted by cgibson777 at 12:00 am  

Tuesday, May 13, 2008

‘Back To The Future Nature’

Back To The Future Nature

(Experimental tracks with the restriction of ‘nature’ recordings as sole source of instruments)

‘Back To The Future Nature’ Player

Further ‘applied electronic sciences’. Studies in a conceptual audio form of the Japanese aesthetic ‘Wabi Sabi’. As in any ‘true’ Wabi Sabi presentation, sometimes the ‘source’ shows through, sometimes not. It is the in-between of the ‘show’ and the ‘not show’ I like to play 😉

“The words wabi and sabi do not translate easily. Wabi originally referred to the loneliness of living in nature, remote from society; sabi meant “chill”, “lean” or “withered”. Around the 14th century these meanings began to change, taking on more positive connotations.[1] Wabi now connotes rustic simplicity, freshness or quietness, and can be applied to both natural and human-made objects, or understated elegance. It can also refer to quirks and anomalies arising from the process of construction, which add uniqueness and elegance to the object. Sabi is beauty or serenity that comes with age, when the life of the object and its impermanence are evidenced in its patina and wear, or in any visible repairs.
From an engineering or design point of view, “wabi” may be interpreted as the imperfect quality of any object, due to inevitable limitations in design and construction/manufacture especially with respect to unpredictable or changing usage conditions; then “sabi” could be interpreted as the aspect of imperfect reliability, or limited mortality of any object, hence the etymological connection with the Japanese word sabi, to rust.”

http://en.wikipedia.org/wiki/Wabi_sabi

posted by cgibson777 at 12:00 am  
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