'Sometimes, cutting into the present releases the future'
Initial intervalic contractions/expansions experiments in ‘Lydian Chromatic Modes’, per ‘modeled harp’ (with random string algorithm variations plus additional ‘lego block’ glitch arrangement mixings).
Exotica for an artificial intelligence.
Messiaen interval iterations and note maskings feed acoustically modeled and alternatively tuned instruments.
For solo Jacob (and single ladder).
Solo keyboard confabulated hymnal/sigil for an uninvented country (Bill Frisell meets Vangelis on a ‘short bus’ field trip).
Theoretical algorithmic serially composed adventures with and within a permutable virtual clavier (excerpts vol. 1).
Collected my various ‘Avant Garde Mash Ups’ and Loopy C ‘Plays’ tracks together as consolidated sources/pages:
(also visible to right in ‘sidebar’ under ‘Pages’)
These are rebuilds of pages from my former blog (at blogger), I will slowly be updating the accompanying info but for now all the track player links should be active for ‘Discover/Encounter’ sessions 🙂
Also note that the page of ‘Master Players’ allows access to EVERY track on this site, (whether it currently has it’s own dedicated post or not):
Philosophers stoned, Plato is Play-Doh…silly serious permutations on a theme. Just some basic funning with the new Camel Audio ‘Alchemy’ (first night flow/play)
Tim Conrardy’s superb ‘Starscape’ programs for Absynth 4 meets Fibonacci numbers, microtuning (ala Little Miss Scale Oven), and a ‘custom’ glitch generator. Additional processing by Camel Audio’s ‘Camel Space’ and ‘Camel Phat’.
Camel Audio Website:
art by c.gibson
Dedicated to the obsessively grand instrument designer/builder Ernest Meyer.
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